Booked Quotes by India Eisley, Santhosh Narayanan, Emma Kenney, James Maddison, Portia Doubleday, Caterina Fake and many others.
I failed to get into drama school, and my best friend told me I should do stand-up instead. I was always doing gags and voices, so he booked a gig for me without telling me. I only had four days to write it. I did a seven-minute set; the first four minutes were terrible, but the last two were amazing.
There have been times when I booked out a dance studio and I’ve tried to choreograph in there and suddenly I feel like I have no creativity.
When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.
I went to a few really bad commercial auditions because I needed the money, and when you booked a commercial, your life was made: you could eat.
I act here and there but you have to commit so far out in advance when you’re directing that you – I’m kind of booked six months out, so it’s hard.
I still remember going to a smart restaurant in Los Angeles, and the maitre d’ knew my name and showed me straight to a table even though we hadn’t booked. I get stopped for autographs by people from Sweden on the tops of mountains.
I moved right to L.A., and I had a year of active unemployment. I had 50-something auditions for 50-something different projects, testing and doing callbacks, and could not get hired. And then, almost a year to the day of being out in L.A., I booked my first job, and then I started booking something every other month.
I worked with Jack Nitzsche for ‘One Flew Over the Cuckoo‘s Nest,’ and we’d booked a symphony orchestra. He dismissed them and came with a little man who poured water into glasses of different sizes to make a glass harmonica. And most of the music for the film was that – with some Indian flutes and some drums.
I moved to Los Angeles when I was 17. I had just booked ‘Alvin and the Chipmunks: The Squeakwell.’ I thought, ‘Well, I’m just going to move to L.A. and become famous. ‘Squeakwell’ is going to launch me to that point.’ Well, I didn’t end up working for, like, three years afterward. That’s kind of the name of the game.
How can I die? I’m booked.
My favorite part of festival season is probably the disposable income at hand for me… I get booked for more, and I make more money.
‘Futurama’ was a big deal. People had already started to hear about me a little bit here and there, but that was the first series I booked to be a regular on.
How can I die? I’m booked.
I remember telling people I booked this job; they were like, ‘What is it called?’ I was like, ‘Peaky Blinders,’ and they were like, ‘What?’ It sounds ridiculous, but I like it because there’s an instant intrigue about the name.
I enjoy everywhere I’m booked to go.
My father took my mother, me, and my brother from Sicily to New York. He got us one-way tickets but booked himself a return flight. He dumped us with my mother’s parents, who had just arrived from Italy, and abandoned us. That was 1986. I didn’t see or speak to him for another 12 years. That’s cruel.
I owe a lot to my time on ‘House of Cards‘ because, up until I booked that show, I had been working consistently for 12 years, but I wasn’t working on anything that mattered in the way ‘House of Cards’ did to its audience, to casting directors, to directors and producers. The show hit this sweet spot.
I didn’t have an agent before ‘Parks,’ and once you’re on a show, they’re not going to make money off of you. So if you’ve already booked something without an agent, unless they really want to hustle during the downtime, there’s seven months when they’re not going to make money off of you.
I’ve always freelanced as an actor, and you always have to worry about the next paycheck. When I booked ‘True Blood,’ I promised myself I would take advantage of the fact that for the first time in my career, I could afford to turn down big money to go and do small, character-driven indies.
I booked my first national tour of a Broadway show right out of college. It was the tap show, ’42nd Street.’ I had only been tap dancing for three years when I booked that show.
We have disappointments all the time in the business, and I’ve lost way more projects than I’ve booked. I’ve learned from every opportunity and have been chosen for some really great projects!
When we’d suggested doing it, the Theatre Royal management had said, ‘Nobody wants to see Waiting for Godot.’ As it happened, every single ticket was booked for every single performance, and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing.
Mostly, whenever I’m booked to do instruction, I just play a little bit and get people to ask questions. We’ll play some music for ’em, ’til somebody hollers out, ‘Play ‘Milk Cow Blues‘ or ‘Play ‘San Antonio Rose.’ We play requests and demonstrate our music.
I want everyone to understand the importance of cervical screening and get one booked in if they are overdue.
We have disappointments all the time in the business, and I’ve lost way more projects than I’ve booked. I’ve learned from every opportunity and have been chosen for some really great projects!
I booked ‘Transformers‘ having no clue what I was doing. And then, all of a sudden, it was like: ‘You’ve got to get your game together fast.’ It sucks, but I’m trying.