Well I tried to, but I could never write anything that I liked or was worthwhile. I threw it all out and realized that I had to make a serious study- that my tastes were far more advanced than my abilities.

Well when I was young, when I was very young, when I was a little boy I don’t remember the music I heard, but there was an article in the Brooklyn Daily written by my Aunt about how I could choose phonograph records.

When I was in Paris, all of the German refugees began to flow in and it was a very sad time.

The Third Quartet I made the instruments in pairs – Two different pairs – Violin and viola, and violin and cello. They played very different things from each other all through the whole piece.

It was only later on that I became more interested in older music.

The Quartets have been a major part of my work.

An auditory scenario for the players to act out with their instruments.

Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music.

The first thing that struck me about contemporary music in general had been thatthere was not much interest in rhythm.

That was one of the big problems when I was at Harvard studying music. We had to write choral pieces in the style of Brahms or Mendelssohn, which was distressing because in the end you realized how good Brahms is, and how bad you are.

Then, when the Depression came, all of this changed completely. Since that time, the entire public is of a very different sort and there was not so much support for contemporary music in a direct way.

Almost every one of my various zero numbered birthdays has had a big concert in London and often in Paris.

I’ve known those pieces ever since I was about 16 or 17; I also at that time was taken to meet Charles Ives whom I got to know fairly well. He was the one who wrote a recommendation for me to get into college.

Why write for the orchestra? For one thing it’s a very challenging problem.

Since I’m allergic to various things, the army wouldn’t accept me during the war, and I got into the Office of War Information, which sent music to Europe.

In any case, Ives encouraged me to go into music even though he himself had such a hard time being a composer.

These wealthy people were very interested in contemporary music. They wanted to help diffuse it and get it to be known to other people.

My musical life started with hearing and being fascinated by contemporary music.